Greek sign in Science ( logic , math and others . ) - the same , that mark . 2 ) In art - a universal aesthetic . category , rescinding through comparison with adjacent categories feature image , with one storefront , sign to allegory , on the other . In a broad sense, it can be said , that the C . there is an image , taken in the aspect of its signification , and that he has a sign , endowed with all organically and inexhaustible polysemous image . Subject image and deep meaning protrude in structure C . as the two poles , inconceivable one without the other , but and divorced between themselves and generate C . Moving in With ., The image becomes " transparent " : meaning " shine " through him , being given it as a semantic depth , semantic perspective . The fundamental difference C . of allegory consists in the fact , that the meaning of C . you can not decrypt the simple effort of reason , it is inseparable from the structure of the image , do not exist in a certain rational formula , which can be " put " in the image and then remove the out of it . There also has to seek and specificity C . in relation to the category of the mark . If for purely utilitarian sign system ambiguity there is only a hindrance , any harmful rational functioning of the sign , then C . the more meaningful , than the more it has many meanings . The very structure C. It focuses on something , to give over every particular phenomenon holistic image of the world .
Semantic Structure C . multi-layered and designed for active int . the work of the perceive . Meaning C . objectively realizes itself not as cash , but as dynamic . trend ; he is not given , but given . This sense , strictly speaking , it is impossible to explain , bringing to valued logic . the formula , a can be explained by relating it to further symbolic . clutch , which sum up to more rational clarity , but not made of pure concepts . If we say , that of Beatrice in Dante has C . pure femininity , and the Mount of Purgatory It has C . spiritual ascent , then it will be fair ; but remaining in the end " pure femininity " and " spiritual ascent " - is again C ., though , and more intellectualized , more similar to the concept . Not only the reader has to deal with this constantly. perception , but also scientific . interpretations .
Interpretation On . there is a dialogue . form of knowledge: the meaning C . really only exists inside of man . communication , is that you can watch only the empty form C . " Conversation ", in which the carried comprehension C ., Can be broken in by the false position interpreter . Such danger is an subjective intuitional , with his " empathy " how to break into C ., allowing himself to speak for him and the most turns dialogue into a monologue .
The opposite extreme - superficial rationalism , in pursuit of an imaginary objective and clearly - Stu " graduate . interpretations ” eliminating dialogich . time and so lose the essence of C . Although C . so also is ancient , as a humane . consciousness , its philosophy .- aesthetic . comprehension comes relatively late . Mythological . outlook implies an undivided identity symbolic . form and its meaning , excluding any reflection on C . A new situation arises in antique . culture after experiments Plato for designing the secondary , ie . e . “ Symbolic .” In property . sense , philosopher . mythology . Plato important it was to distinguish C . first of all from dofilos . myths . Elliistic . Thinking constantly mixed C . with an allegory . A significant step to distinguish C . from rational forms carried out in an idealistic . dialectic of isolationism .Plotting contrasts the symbolic system of the alphabet with the symbolism of Egypt .a hieroglyph that offers our intuition a holistic and incomparable image ; Proclus objects to Platonic criticism of the tradition . myth indicating the irreducibility of the meaning of the mythological . With . to logical . or moralistic . formula . Neoplatonic . theory With . It goes into Christianity through Pseudo - Dionysus the Propagate , describing all visible like C . the invisible , innermost and indefinable essence of God , and the lower levels of the world hierarchy symbolically recreate the image of the upper , making for humanity . mind possible climbing the semantic ladder . In cf. . century, this symbolism coexisted with didactic . allegorism . Renaissance sharpened intuitive perception C . in its open polysemy , but did not create a new theory of S. , and the revival of taste for the learned book allegory was picked up by Baroque and classicism .
Only aesthetic . theory of it . romanticism consciously contrasted classicism . allegory C . and the myth as organic . identity of idea and image ( Schelling ) . The multivolume labor F . Kreutzer " Symbolism and mythology of ancient peoples . was given a classification type C . Blasting isolation form for neposredstveno . Expression of infinity , and " plasticity . On .", Seeks to accommodate semantic infinity in a closed form ) . How and Schelling , contrasting C . allegory , Kreutzer stresses in C . its " instant tselokup - Nosta " and " necessity ", ie . e . immediacy of impact and organic structure . For A . In . Schlegel poetic . creativity is " eternal symbolization ." Him . romance relied in understanding C . on the mature Goethe , who understood all forms of the natural and human . art as a significant and speaking C . living eternal becoming . In contrast, from the Romantics , Goethe links elusiveness and indivisible C . not with mystic . otherworldly , but with life organically are expressed through C . started . Hegel , speaking against the Romantics , stressed in structure C . more rationalistic ., symbolic side ( " C . has first of all a certain mark ") , based on the " conditionality ". Sci . Work on the concept C . in 2 - nd floor . 19 in . a large extent proceeds from philosophy Hegel , but romantic . a tradition continued to live , in particular in the study myth of And . I am . Bahofen . In aesthetics . sphere she returns to the end of the century due to the literary . theory of symbolism , according to which the true C ., in addition to the inexhaustible meaning , passes on intimate language of hints and suggestions something ineffable , improper ext . a word . Understanding the socio - communicative nature C . merged into symbolism ( especially the sighs like : copyright sign, trademark sign, degree sign) with Utopian . Project re-create society and the universe through " teurgich ." Creativity On . In the 20th century . neocantian cassirer I did the concept C . extremely broad concept of human . of the world: man is a " symbolic animal "; language , myth , religion , art and science are " symbolic ." forms ” by which a person arranges the chaos surrounding him . The psychoanalyst Jung , had rejected proposed by Freud identification C . with a psychopathologist . symptomatic and continued romantic . tradition , interpreted all human wealth . symbolism as the expression of stable figures of the unconscious ( ie . n . archetypes ) , in its final essence irreducible . A dangerous opportunity for Jung symbology is complete blurring the boundaries between C . and myth and transformation of C . in devoid of solid sense abutment element .
Marxist - Leninist aesthetics suited to the analysis of the problems C . and allegories as private varieties of art . image , based on the doctrine of art as specific . a form of reflection of reality
